
Photo courtesy of NASA
John Glenn enters the Friendship
7 capsule before embarking on NASA's first manned
space mission in 1962. Former NLC student Melvin
Korelitz pioneered the technology required to
conquer the heat of re-entry and safely bring
Glenn home.
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THIS
EDITION 
Volume
21, No. 2
February 27, 2003 |
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Space Pioneer
By Josh Bohling
Staff Writer
Forty years ago, former North Lake art student
Melvin Korelitz created a revolutionary work of science
for NASA.
Space shuttle Columbia debris continues
to be found across North Texas as NASA
officials struggle to discover the cause of
their first re-entry failure in 41 years of
manned space flights.
Preliminary analysis indicates superheated air breached
the outer skin of the ship, but how it did so is unclear,
leading to a host of theories as to what could have
happened 200,000 feet above the earth on the morning
of Feb. 1 that led the Columbia, traveling at 18 times
the speed of sound, to be torn apart, killing all seven
astronauts onboard.
Was it the result of damage at liftoff? Or was it one
of an army of other possibilities including a leaking
landing-gear door, a ruptured fuel system or a collision
with space junk?
Like the rest of America, former North Lake College
student Melvin Korelitz doesn’t know why the orbiter
broke up. But unlike most Americans, he fully understands
the extraordinary re-entry forces of heat and friction
that destroyed it. That’s because 41 years ago,
he and his colleagues were among the first persons in
the world to learn how to conquer them.
Korelitz, a soft-spoken, articulate 83-year-old who
attended several art and sculpture classes on campus
from 1993 to 2000, co-developed the first heat shield
ever used to return an American astronaut to Earth.
Along with a partner, Korelitz started a small research
lab called the Cincinnati Testing Laboratories in 1946.
By 1958, the lab found itself working with NASA in the
space race.
“The re-entry heat was a huge obstacle,”
explained Korelitz, “and here we were with the
job of overcoming it.”
NASA had initially attempted to use thick metal plates,
but they only conducted the heat and weighed the spacecraft
down.
To test new material, Korelitz said he and his colleagues
needed to simulate the harsh, 3000-degree re-entry environment.
They commandeered several huge, unused electric generators
originally built for Cincinnati’s old trolley
system. Using 13,000-volt arcs, they created an “arc
plasma generator” powerful enough to mimic the
intense heat a spacecraft would encounter.
“From there it was a lot of chemical trial and
error,” said Korelitz.
The culmination of their efforts was the lightweight
heat shield used during the Mercury missions and most
famously on the Friendship 7 capsule, which safely carried
the first American astronaut John Glenn into —
and back from — space in 1962.
The revolutionary hard plastic shield, made of fiberglass
and resins, still burned up, noted Korelitz. But it
did so in a very slow and controlled way, consuming
and dissipating heat energy through a chemical process
called “ablation,” he said.
“It was like a big, melting dish the spacecraft
sat on,” said Korelitz, adding it was nothing
like the modern system of insulating fabrics and tiles
that was in place to protect the Space Shuttle Columbia.
Korelitz, who now lives in a quiet retirement home in
Mississippi only a few minutes from his son, daughter-in-law
and grandson, devotes his time these days to family
and a passion for sculpture.
Sculpture and science may not seem complementary at
first blush, but Korelitz has always been one to use
his mind and hands to create new objects, whether those
objects are hard plastic heat shields or Bible-themed
woodcarvings.
“Having strong curiosity and an active imagination
are both important qualities for artists and scientists,”
noted Marty Ray, Korelitz’s art teacher at NLC.
“Both search the known and unknown for the inspiration
of their work.”
Korelitz traces his love of sculpture back to his youth.
“I remember when I was in sixth grade, I’d
take bars of Ivory soap and carve them into all sorts
of things. I guess that’s where it all started,”
he said.
Today, Korelitz works with large wood logs on sculptures
that can take years to complete. His works are very
personal and he’s quick to point out he’d
never sell any of his sculptures. “They take so
long to do, it would be like selling my own children,”
he said.
Ray characterized Korelitz as a patient and very motivated
student. “He never missed a class, came early,
and worked extra hours.”
Richard Widener, a fellow sculptor and friend who attended
classes with Korelitz, described him as a low-key, modest
gentleman. “He was never one to brag or talk about
himself,” said Widener. In fact, Widener only
learned of Korelitz’s extraordinary past through
a casual conversation while working on a woodcarving.
He later discovered Korelitz regularly performed volunteer
work at local schools, even as driving became difficult.
“That’s just typical of him,” explained
Widener.
Yet even with his focus in life seemingly so far removed
from his former career, Korelitz made it clear he still
cares very deeply about the future of space exploration.
Asked if manned space flight should persist, Korelitz
responded in the affirmative without hesitation.
While questions have been raised over NASA’s extensive
use of outside contractors, Korelitz pointed out the
practice — and the concern — is nothing
new. “That was a worry Glenn voiced. ‘I’m
sitting in a rocket built by the lowest bidder!’
” Korelitz remembered Glenn saying.
But as a former contractor to NASA, Korelitz can vouch
for the stringent NASA protocols. “There were
pages and pages of specifications to meet, and we had
to prove again and again that we could meet those specs.”
Ultimately, Korelitz believes manned space flight must
go on and sees continued exploration as a manifestation
of the American pioneer spirit.
“It’s a new frontier, like the American
West once was,” he said. “There were great
dangers there, but also great benefits.
“Space is no different.”
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