Clerks II
By Dylan Biles
Staff Writer
It’s been 10 years since we last saw Dante
and Randal, the now infamous slackers who starred
in Kevin Smith’s landmark indie flick,
Clerks.
While little has changed for the characters in
the ensuing decade, the same can’t be said
for their creator. Kevin Smith has become one
of the most recognizable directors in Hollywood
due to the success not just of Clerks, but the
critically acclaimed Chasing Amy and Dogma, and
the much-maligned Jersey Girl.
It’s always a risky proposition when a
director decides to do a sequel to a film that
became iconic (George Lucas, anybody?) and fans
of the first film must have concerns that Smith
was going back to the well.
Luckily for those fans, Clerks II isn’t
a mere rehash of the original, but an honest
continuation of the story about two people who
are ten years older but perhaps less mature.
After an unfortunate incident closes down the
Quik-Stop, Dante and Randal are forced to work
at Mooby’s Burgers.
The new setting provides
a different setting for Smith’s rapid-fire,
pop-culture-filled dialogue while simultaneously
bringing in new characters for them to interact
with.
The most notable addition is Becky, the Mooby’s
manager played by the beautiful Rosario Dawson.
Her ease with the Smithian script provides a
believable center to the film. You actually believe
that she might love Dante… that’s
saying a lot.
That romance is the added element to the sequel
that wasn’t in the original. While the
first film was edgier, Clerks II has more heart.
If the first film was about people in their twenties
who don’t want to grow up, then this film
is about being in your thirties and being forced
to by the simple passage of time.
That’s not to say that the trademark Kevin
Smith dirty dialogue is gone. There are some
great set pieces, the funniest of which is when
Randal engages in a Star Wars vs. Lord of the
Rings saga-off with some Hobittian fans.
Oh, and the film’s climatic love scene
occurs while a show that would be more at home
in a Tijuana back room plays out behind them.
But despite all that, this is a more mature film
that proves itself worthy of the second helping.
It’s hard to say that this film is better
than the original, but it’s certainly not
worse.
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