White Noise from across the pond
North Lake student takes his band overseas and shares
his impressions of life on the Old Continent
By Chris Wall
Contributing Writer
In May, I traveled across the Atlantic with
my band A.N.S. and our bros, I Object,
from upstate New York for the European
leg of our Barging Summer World Tour.
We landed in France and trekked from Paris
through Belgium, Germany, Poland, Slovakia,
Austria and Hungary, eventually flying back to the
United States via Vienna, Austria.
Leaving the United States, for some reason or
another, always seems like a blessing. Don't get me
wrong, I enjoy living in the self-proclaimed “greatest”
country to ever grace man's oil-stained Earth,
but the lure of other soils is something deep within
my spirit — especially in environments that are
generally characterized by the U.S. State Department
as “hostile” or “at risk.” First off, travel expands
horizons and opens new doors. So get lost
and find something worth finding! Secondly, it is
foolish to fear another people whom you have never met simply because of government-derived lines of demarcation. Fearing your fellow man never created
wisdom; if anything, it perpetuated
bigotry and nationalism over
humanity.
One message that has taken over
my thoughts is this: All men are my
brothers. Governments and borders
only serve as tools of segregation and
division, turning brothers to enemies,
love into fear, and unification to distrust.
If anything, man would be better
off serving his fellow man — void
of all trifl ing allegiances to the unnecessary
machine of government.
History is something Americans
are still learning. The Anglo-American
has colonized this awe-inspiring
continent less than 500 years since
its discovery; fighting only two substantial
wars on its home soil since
our government's inception. Whereas
majestic Europe's past is substantially
long-winded and ever more
volatile than our own.
The rich history of our mother
continent was written in blood and
conquest, while wisdom and insight
were burned at the stake. It would
be hard to drift through such place
and not come to the realization that
history is everything. One evening
we played in a lighthouse on the
Baltic Sea dating back to the fourteenth
century. During war times,
it served as a hideout for soldiers
— and I played there! Find me such
a place in America.
In Tournai, Belgium, we played
in the bakers kiln of an ancient
castle — cobblestone walls and
archways, water dripping from the
ceiling onto pebbled floors, lit by
candlelight, and more amazing than
anything I've ever seen. THAT is
Europe — the turnover of history.
Graffitistained every building in
every town, displaying some of the
most magnificent art and creativity
hidden in cryptic scripts, always vainly
removed but persistently reappearing.
I saw stars of David on the Berlin
Wall and swastikas in Poland; Nazis
in Hamburg; and anti-fascists in Bremen.
I stood at Checkpoint Charlie,
where Russian and American soldiers
stare no more. Now, Louis Vuitton
now stares down Armanifrom lifeless
granite skin.
Europe is more amazing and diverse
than I could ever express to you.
The magnitude of such an epicenter
for the arts, culture and diversity can
only truly be understood firsthand. As
for myself, I had the pleasure of seeing
Europe the way only I could see
it; therefore, I brought home the message
I wished to bring.
For your own personal enrichment,
I beg you to travel and see the
world while you can. Learn about
culture beyond stereotypes and
laugh tracks. Open your mind to diversity
and live a life of meaning.
Embrace the drifter inside yourself
and get lost.
— Chris Wall is a science student at
North Lake and a contributing writer
for the News-Register. |

Photo by Chris Wall
A singer from the band “Sunpower” performs in Belgium.
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Photo by Travis Manko
Chris Wall proves that skateboarding
is not a crime by busting it out
near the Berlin Wall.

Photo by Chris Wall
"DEADSTOP, Belgium's homegrown Hardcore heroes, performing their final show at the Lintfabriek in Kontich."

Photo by Chris Wall
"Poland - Ghostly painted hands on a solitary wall of a destroyed housing project, bring reflection of Poland's shadowy past"
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